https://www.engagingcollections.com/journal-archive daily 0.75 2021-05-27 https://www.engagingcollections.com/journal-archive/announcing-the-carolina-record-shop monthly 0.5 2021-06-17 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1623955917395-CBCSVFEOZY0NFJ19ZSGS/IMG_1520.JPG Journal-archive - AiR Honey Simone: Announcing the Carolina Record Shop - Make it stand out Honey Simone in front of the Carolina Record Shop installation a few days before opening https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1589172255015-6UR9BG4ZVWTDWG3TD4OC/IMG_0449.jpg Journal-archive - AiR Honey Simone: Announcing the Carolina Record Shop This collection of digital scans includes two or three scrapbooks (they had deteriorated) created by Annette Pearson Cotton, Cliff’s mother, as well as a number of individual photographs. The bulk of the material dates to between 1930 and 1960. ID: MS403.001A Folder Title: Clifford W. Cotton Source: North Carolina Room Video Interview with Clifford Cotton https://www.engagingcollections.com/journal-archive/ruqayyah-alzona-al-baari-p3-the-edenic-zone-documentation monthly 0.5 2021-06-14 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1623619674705-0IUY5GFEIJP8ZF916DOD/image2.jpeg Journal-archive - P3: The Edenic Zone - Documentation (images by Michael-Jamar Jean Francois) https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1623619167157-MGS8RI29V7KJNCKC36IB/image3.jpeg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1623619167155-YKTHC22R8AM20HDK2BGF/image2.jpeg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1623619170466-NF1XSW53OREDOEDFQT3B/image1.jpeg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1623619170696-9KQV6URPL1MKKM6FHFP5/image0.jpeg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1623619174991-WSAGZCDI5HZI28624TPQ/image3.jpeg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1623619175221-J55DHFEZ7M89C3LI64MF/image2.jpeg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1623619178178-U6G7TEFHA5IEYJDT2WZ5/image1.jpeg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1623619181214-4U83Y4YBZC1M2LX34JOR/image3.jpeg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1623619178591-0S3DA0PPYCYTYY04RO42/image0.jpeg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1623619184181-M6MN6FEE07B3JNGTUFUX/image2.jpeg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1623619187437-81W8E99HDJONO4IKVZ11/image1.jpeg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1623619189947-SQHPKE36E8K7CFZ6553H/image0.jpeg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621717841358-VN0K1248BS7BX99ZJGSN/lydiasee_edeniczone-051521_0530.jpg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621717842167-W7CNZ9AIMUUS87LXR5E7/lydiasee_edeniczone-051521_0534.jpg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621721777847-B1F8PNLFDL58KBJJZ4QO/lydiasee_edeniczone-051521_0448.jpg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621721779305-8P6U6QHEUHYQD7HN69Y0/lydiasee_edeniczone-051521_0453.jpg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621721793449-H60467YHJK1UQGKZP9ZW/lydiasee_edeniczone-051521_0452.jpg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621721792405-4TQUHBR4BRG8EUMSXBG9/lydiasee_edeniczone-051521_0458.jpg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621721818388-R7EW85KAF6Y0ER8XPUIW/lydiasee_edeniczone-051521_0540.jpg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621721817670-FBMEQEW5EDTFVDO7IG5Q/lydiasee_edeniczone-051521_0529.jpg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621721828375-UIY1PWNIK2LA68F80RFU/lydiasee_edeniczone-051521_0455.jpg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621721829007-1EMG0F6R4I9J3KOL4VCK/lydiasee_edeniczone-051521_0464.jpg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621721852384-4VNNH6X1ONR34WD2Y32Y/lydiasee_edeniczone-051521_0520.jpg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621721847868-PMOKIID1DK2C1UR14LWO/lydiasee_edeniczone-051521_0541.jpg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621721859596-YQQ7JF39AU7YDFH5P267/lydiasee_edeniczone-051521_0528.jpg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621721867961-OP2PJAABVZKL1MED4PFT/lydiasee_edeniczone-051521_0517.jpg Journal-archive - P3: The Edenic Zone - Documentation https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621714006813-UK1V7DUPH68I1YOOYZ1G/051521_coco-fabric.jpg Journal-archive - P3: The Edenic Zone - Documentation - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.engagingcollections.com/journal-archive/ruqayyah-alzona-al-baari-p2-the-edenic-zone-portal-of-rest-and-beauty monthly 0.5 2021-06-14 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621714479545-X9UN264BQCR2L9XI890A/051521_0540.JPG Journal-archive - P2: The Edenic Zone - Portal of Rest and Beauty (image by lydia see) https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621643887069-FPGXY5EXDVOGAHKM3U28/image3.jpeg Journal-archive - P2: The Edenic Zone - Portal of Rest and Beauty - image by Ruqayyah Alzona Al-Baari https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621643897005-U0DJVKY90KUPYYQF3RKQ/image2.jpeg Journal-archive - P2: The Edenic Zone - Portal of Rest and Beauty https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621643873164-CL0G3JOUDW4KZVTL4LIC/image4.jpeg Journal-archive - P2: The Edenic Zone - Portal of Rest and Beauty https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621642832231-4MMSIYA1YIL8AGIXPGKE/lydiasee_edeniczone-051221_0034.jpg Journal-archive - P2: The Edenic Zone - Portal of Rest and Beauty https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621642826311-0EVSFE0J84JGIW3G4P5U/lydiasee_edeniczone-051221_0033.jpg Journal-archive - P2: The Edenic Zone - Portal of Rest and Beauty https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621642794225-R28SKWPSNRHBGHKQCFS3/lydiasee_edeniczone-051221_0013.jpg Journal-archive - P2: The Edenic Zone - Portal of Rest and Beauty https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621642792047-7T5F0HW9MU15KXDG1GKG/lydiasee_edeniczone-051221_0021.jpg Journal-archive - P2: The Edenic Zone - Portal of Rest and Beauty https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621642808699-WNKUUK5UKT6DHIYWQFFD/lydiasee_edeniczone-051221_0028.jpg Journal-archive - P2: The Edenic Zone - Portal of Rest and Beauty https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621642807546-P3HOEEPGJXW8KOR4YYEC/lydiasee_edeniczone-051221_0032.jpg Journal-archive - P2: The Edenic Zone - Portal of Rest and Beauty https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621642835489-UC0MZ19MERX7C3WEMUH1/lydiasee_edeniczone-lydiasee_edeniczone-051221_0026.jpg Journal-archive - P2: The Edenic Zone - Portal of Rest and Beauty https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621721470396-XN465FI6B8VEJF9RG9JQ/lydiasee_edeniczone-051521_0518.jpg Journal-archive - P2: The Edenic Zone - Portal of Rest and Beauty - Make it stand out (image by lydia see) https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621718825110-WRURVHIDKY3ERS7C8VS5/image2-1.jpeg Journal-archive - P2: The Edenic Zone - Portal of Rest and Beauty - Make it stand out from Ru’s sketchbook https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621714495364-DVDN969H8O2UO0YUC96N/image3-1.jpeg Journal-archive - P2: The Edenic Zone - Portal of Rest and Beauty https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621714505605-VT2P5LQSMGCYCTUZR233/image2-2.jpeg Journal-archive - P2: The Edenic Zone - Portal of Rest and Beauty https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621714531533-47B46LCJ8X27S7Y60QXH/image0-3.jpeg Journal-archive - P2: The Edenic Zone - Portal of Rest and Beauty https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621714525646-56VDW92KUXENJQIL9K12/image1-1.jpeg Journal-archive - P2: The Edenic Zone - Portal of Rest and Beauty https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621721646832-GXTXXG7ICIPBJKXGV7GZ/lydiasee_edeniczone-051521_0442.jpg Journal-archive - P2: The Edenic Zone - Portal of Rest and Beauty - Make it stand out (image by lydia see) https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1623619976186-Y6G2YTIVB4ARJGQJ4PHI/Detailed_1.jpg Journal-archive - P2: The Edenic Zone - Portal of Rest and Beauty - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.engagingcollections.com/journal-archive/ruqayyah-alzona-al-baari-pt-1-bone-theory monthly 0.5 2021-06-08 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621638626767-T21UCJ8L2R7WJY7NRL7F/image3.jpeg Journal-archive - Pt 1: Bone Theory dyeing process image by Ruqayyah Alzona Al-Baari https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621640338847-QO5Z3EA7O12T289X46FW/image1.jpeg Journal-archive - Pt 1: Bone Theory - Make it stand out scans from Ru’s sketchbook https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1621640404170-O7O0UT81PNXEOXZJ0PU5/image0-2.jpeg Journal-archive - Pt 1: Bone Theory - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.engagingcollections.com/journal-archive/coco-villa-chapter-five monthly 0.5 2021-05-21 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1613428883784-SKBNUL7O48SSDZBXCP4L/103120_0008lydiasee_httpiam-CocoVilla.jpg Journal-archive - Coco Villa - Chapter Five Coco Villa setting up How to Turn Poison into a Meal at the YMI Cultural Center, by lydia see https://www.engagingcollections.com/journal-archive/coco-villa-chapter-four monthly 0.5 2021-02-15 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1604286409168-K18ASWV67I9FDDYTFSOE/090620_0144_lydiasee_coco-HTTPIAM12.jpg Journal-archive - Coco Villa - Chapter Four Coco Villa at Revolve, by lydia see https://www.engagingcollections.com/journal-archive/coco-villa-chapter-three monthly 0.5 2020-11-02 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1600306818748-LXXC7ISTFYLR0V8E60X9/Self+Portrait+1.jpg Journal-archive - Coco Villa - Chapter Three self portrait by Coco Villa https://www.engagingcollections.com/journal-archive/coco-villa-chapter-two monthly 0.5 2020-12-01 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1598887161198-0LMEX8MEEJE64QSUNBQL/Baby+Coco+Villa+%281995%29.JPG Journal-archive - Coco Villa - Chapter Two process / planning by Coco Villa for How to Turn Poison Into a Meal https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1598887248246-2Y9WQQ15T6CRQJXJZLNR/Coco+Villa+-+Self+Portrait+-+The+morning+I+left+for+Barcelona+from+Boston+%282017%29.jpg Journal-archive - Coco Villa - Chapter Two process / planning by Coco Villa for How to Turn Poison Into a Meal https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1598887271007-R8R5415HGTA1ZG9K49ZG/Coco+Villa-+The+morning+I+left+for+Asheville+from+Philadelphia+%282019%29+Photo+by+Ali+Esposito.jpg Journal-archive - Coco Villa - Chapter Two process / planning by Coco Villa for How to Turn Poison Into a Meal https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1598887298255-LOWCY7ZRMTV2XYJY098G/image-asset.jpeg Journal-archive - Coco Villa - Chapter Two process / planning by Coco Villa for How to Turn Poison Into a Meal https://www.engagingcollections.com/journal-archive/coco-villa-chapter-one monthly 0.5 2020-09-01 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1597550800691-0D7QD88XE8KJHKXHNHD9/Baby+Coco+Villa+%281995%29.JPG Journal-archive - Coco Villa - Chapter One Baby Coco Villa (1995) https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1597550615982-8TRYN46FQ99BSORAAEFQ/Coco+Villa+-+Self+Portrait+-+The+morning+I+left+for+Barcelona+from+Boston+%282017%29.jpg Journal-archive - Coco Villa - Chapter One Self Portrait - The morning I left for Barcelona from Boston (2017) https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1597550563417-F83OGCB83931UA106IN6/Coco+Villa-+The+morning+I+left+for+Asheville+from+Philadelphia+%282019%29+Photo+by+Ali+Esposito.jpg Journal-archive - Coco Villa - Chapter One The morning I left for Asheville from Philadelphia (2019) Photo by Ali Esposito https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1597550710561-QTRNF6Q35529VLMFMI1V/image-asset.jpeg Journal-archive - Coco Villa - Chapter One Self Portrait - The morning I left for Berlin from Miami (2020) https://www.engagingcollections.com/journal-archive/sistories monthly 0.5 2020-09-07 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596060443678-FCW7NBD9WF2R26LEUOAF/18.jpg Journal-archive - SISTORIES SISTORIES, an Interactive Black Feminist Magazine https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596074904367-9QVRB8AV5KQYCFHM7UON/image-asset.png Journal-archive - SISTORIES https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596060603178-KBDYUTY6HVTB3TPDQQR5/2-ForgedWorkshop+%282_29_20%29.JPG Journal-archive - SISTORIES Charlotte storytellers engaging with the interactive workbook elements in The Forged Woman at the first SISTORIES community writing workshop. Hosted at The Roll Up Artist Residency in Charlotte, NC. February 2020. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596060201060-CUM52ZBL8JCMDO28VBLI/image-asset.jpeg Journal-archive - SISTORIES https://www.engagingcollections.com/journal-archive/memorial-for-queer-rhyolite-a-temporary-monument-to-dreams-in-the-dust monthly 0.5 2021-02-15 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594241016302-5XJL6PRSX704R28NOGGT/_EBudd_01_MFQR.jpg Journal-archive - Memorial for Queer Rhyolite, a temporary monument to dreams in the dust Memorial for Queer Rhyolite, a temporary monument to dreams in the dust. Desert sand, displaced mine tailings, cast aluminum. October 2019. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594242182837-TTXZPHF0FC9OGER7237N/_EBudd_06_MFQR.jpg Journal-archive - Memorial for Queer Rhyolite, a temporary monument to dreams in the dust “The Ghost Town as Gay Mecca,” The Washington Post, 12/09/1986. Screenshot from early research. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594242181066-7K813VLRM53LVMWOGXU9/_EBudd_07_MFQR.jpg Journal-archive - Memorial for Queer Rhyolite, a temporary monument to dreams in the dust “Rhyolite Town Meeting,” 1986, Fred Schoonmaker Papers, 1990-15, Courtesy of GLBT Historical Society, San Francisco, CA. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594242182304-9YYWIE1GD0A6K6A9H26U/_EBudd_08_MFQR.jpg Journal-archive - Memorial for Queer Rhyolite, a temporary monument to dreams in the dust “Gay neighbors stir anger, fear in Beatty,” Reno Gazette-Journal, 11/09/1986, Courtesy of Stonewall Park Collection, UNLV Lied Libraries Special Collections and Archives, Las Vegas, NV. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594242182148-DLNPX06EBNYUBXJKWYZK/_EBudd_09_MFQR.jpg Journal-archive - Memorial for Queer Rhyolite, a temporary monument to dreams in the dust “Gay leader’s death ends dream of resort,” Las Vegas Review-Journal, 6/15/1987, Courtesy of Stonewall Park Collection, UNLV Lied Libraries Special Collections and Archives, Las Vegas, NV. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594242737856-V22MZ1FMI57AIPRSLYAJ/image-asset.jpeg Journal-archive - Memorial for Queer Rhyolite, a temporary monument to dreams in the dust “Rhyolite Historic Townsite,” Rhyolite, NV. Present day signage. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594242656748-CS6WLPW8JYYEJZLF3735/image-asset.jpeg Journal-archive - Memorial for Queer Rhyolite, a temporary monument to dreams in the dust Memorial for Queer Rhyolite, a temporary monument to dreams in the dust. Desert sand, displaced mine tailings, cast aluminum. October 2019. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594242506256-CH6KMQKPDZ8R5Y7BY5CB/image-asset.jpeg Journal-archive - Memorial for Queer Rhyolite, a temporary monument to dreams in the dust Radically small monument, Side A (copy of what is buried inside), cast aluminum. October 2019. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594242581908-3PVCU8NR7JJRBPOIS109/image-asset.jpeg Journal-archive - Memorial for Queer Rhyolite, a temporary monument to dreams in the dust Radically small monument, Side B “a safe and peaceful place” is a direct quote from the archive, describing their dreams in 1986. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594241600619-TGJ83HO8WO4ISDXSHEY4/image-asset.jpeg Journal-archive - Memorial for Queer Rhyolite, a temporary monument to dreams in the dust Memorial for Queer Rhyolite... revisited in April, 2020, shown with found offerings. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594241528668-GBVEGVJPRIWTP148GSBA/_EBudd_11_MFQR.jpg Journal-archive - Memorial for Queer Rhyolite, a temporary monument to dreams in the dust Memorial for Queer Rhyolite... April 2020, Goldwell Open Air Museum, Rhyolite, NV. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594241231670-KQDZ3BXM5M727OERI1MD/image-asset.jpeg Journal-archive - Memorial for Queer Rhyolite, a temporary monument to dreams in the dust https://www.engagingcollections.com/journal-archive/quinceaera-archives monthly 0.5 2020-12-01 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818944324-I324R92K6DIS7BNFDEIM/PedroTzonte%CC%81moc_1999_Me%CC%81xico_03.gif Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf Pedro Tzontémoc - 1999, México, Mis XV Años o La Intimidad Colectiva https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818342599-8E4QTOT106NNEAHNMO05/Barbara-Acelia-Rivera_1971_NJ_01.jpg Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Barbara Acelia Rivera - 1971, Newark, NJ Here 1971 quinceañera Barbara Acelia Rivera poses beside a house phone before her celebration in Newark, NJ. Part of the Guatemalan diaspora, Barbara’s family came to the United States in her childhood. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818167434-AZILP8CP24NSOCBG3GSG/ElviaCarreon_2011_SanLuisPotosi%CC%81MX_02.JPG Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Elvia Carreon - 2011, San Luis Potosí, México Quinceañera Elvia Carreon is dancing with her father at her celebration in San Luis Potosí, México in 2011. We share this celebratory image as an extension of Chicago artist Kaelyn Andrade’s visual research on the tradition of the quinceañera. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818015323-QXER9YTXDLGZHE6CAVYY/Barbara-Acelia-Rivera_1971_NJ_02.jpg Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Barbara Acelia Rivera - 1971, Newark, NJ Saludos de Newark, NJ! This pic of quinceañera Barbara Acelia Rivera was taken in 1971 in her cousin’s grandma’s basement before her celebration. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818168743-X5X95KT7UX3UOBBAF3Z5/ElviaCarreon_2011_SanLuisPotosi%CC%81MX_03.JPG Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Elvia Carreon - 2011, San Luis Potosí, México A full banda plays behind quinceañera Elvia Carreon as she marches with a court of loved ones through the rancho Santa Matilde in San Luis Potosí, México. ⁣ This photograph from Elvia’s 2011 celebration is an extension of Chicago artist Kaelyn Andrade’s visual research on the tradition of the quinceañera. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818021176-76XMQYG916GENG9KPO50/Barbara-Acelia-Rivera_1971_NJ_03.jpg Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Barbara Acelia Rivera - 1971, Newark, NJ Here 1971 quinceañera Barbara Acelia Rivera poses beside a house phone before her celebration in Newark, NJ. Part of the Guatemalan diaspora, Barbara’s family came to the United States in her childhood. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818171015-WMD3GIZ8C6LLKX4AM8DY/ElviaCarreon_2011_SanLuisPotosi%CC%81MX_01.JPG Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Elvia Carreon - 2011, San Luis Potosí, México As an extension of Chicago artist Kaelyn Andrade’s visual research, we share a moment of celebration from Quinceañera Elvia Carreon. In a golden dress she dances with female family members beside a pond in San Luis Potosí, México. Holding her full celebration outdoors, these photographs were taken at a local rancho called Santa Matilde in 2011. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818424181-QKQUTBCXD8MXNDVEMWXB/KimberlyRahbani_2004_+HoustonTX_01.jpg Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Kimberly Rahbani - 2004, Houston, TX This polished image is the work of a local quinceañera photographer from Houston, TX for Kimberly’s quince celebration in 2004. Here she holds a pose in traditional dress for a solo portrait session before a full day of family, friends and modern tradition. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818425933-LBK42VXH5R1NUBOKS26H/KimberlyRahbani_2004_+HoustonTX_02.jpg Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Kimberly Rahbani - 2004, Houston, TX On a warm Fall day in Houston, TX, quinceañera Kimberly poses beside her temporary ride. A memory from 2004, Kimberly held this modern alteration to the tradition alongside a traditional court of damas and chambelanes where in this car they later joined her. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818424536-P1Q830MD23TPJAZ2XK42/KimberlyRahbani_2004_+HoustonTX_03.jpg Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Kimberly Rahbani - 2004, Houston, TX A surprise gift from 2004! Kimberly, a musician and quinceañera in traditional dress, receives an unexpected electric guitar during her celebration in Houston, Texas. She poses beside her father and a full court of friends known as damas y chambelanes. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818559083-W969SMNMD5MTTHVHBM05/LuizaHallValez_1999_PhoenixAZ_01.jpg Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Luiza Hall Valez - 1999, Phoenix AZ A wild group of chambelanes appears! Here 1999 Chicana quinceañera Luisa poses with her crew of eleven chambelanes in Phoenix, AZ. ⁣ https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818559227-JC60AJBO180NRR3J0A37/LuizaHallValez_1999_PhoenixAZ_02.jpg Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Luiza Hall Valez - 1999, Phoenix AZ 1999 looks de quinceañera Luisa and her damas in Phoenix, AZ https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818561515-0A93U20H9AF2P7JLIPBZ/LuizaHallValez_1999_PhoenixAZ_03.jpg Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Luiza Hall Valez - 1999, Phoenix AZ Weekend looks from 1999! Quinceañera Luisa from Phoenix, AZ poses outside with her friend and chambelan Juan https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818676440-XFGVL7CS5NAN03512PW1/Marti%CC%81nRubini_1995-2005_BuenosAires_01.jpg Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Martín Rubini, 1995-2005, Buenos Aires, Argentina, Felices Quince Años This portrait of unnamed quinceñera enveloped in her parents was made by photographer Martín Rubini in Buenos Aires, between the years of 1995 and 2005. ⁣⁣ Later diving into a dense archive from over a decade of working as a quince photographer, documenting celebrations, Rubini recognized a body of work from within the thousands of 35mm images he had produced over the years. ⁣The resulting series is titled Felices Quinces Años. ⁣ Today, the work provides us a new, insider perspective to past quinceañera practice as well as a push towards reflections far beyond the nostalgic visual experience. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818679280-CMEHS22BO8XGT2YD7O12/Marti%CC%81nRubini_1995-2005_BuenosAires_02.jpg Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Martín Rubini, 1995-2005, Buenos Aires, Argentina, Felices Quince Años “I find myself immersed in a world of fantasy situations, eccentricities and eloquent images.” writes photographer Martín Rubini.⁣ After over a decade of working as an event photographer, Rubini documented countless quinceañera celebrations throughout greater Buenos Aires. The resulting work is a telling personal archive of social gatherings from 1995-2005, including portraits of a quinceañera in her car, pictured here. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818687621-3BQNGTWYV75VXLKL3N6F/Marti%CC%81nRubini_1995-2005_BuenosAires_03.jpg Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Martín Rubini, 1995-2005, Buenos Aires, Argentina, Felices Quince Años Throughout Argentina, in the years spanning 1995-2005, photographer Martín Rubini attended and worked “at least one quinceañera a week.⁣” ⁣ On his dedication to image making and the personal significance of this celebration which grew over time, Rubini has acquired an immense archive of 35mm film documentations, a deeply unique, at times commercial view of quinceañera practice. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818685903-L25YVVSYDOEMAQVAWC50/Marti%CC%81nRubini_1995-2005_BuenosAires_04.jpg Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Martín Rubini, 1995-2005, Buenos Aires, Argentina, Felices Quince Años https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818917573-RT2UI0BHA4T9D34NVVMP/Mayra%2BSahiraIvette_2008_HoustonTX_01.jpg Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Mayra & Sahira Ivette - 2008, Houston, TX A 2008 digital snap of a 2008 photograph where Mayra & Sahira, twin quinceañeras, are crowned by their mother and family in Houston, TX. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818915687-PL4PO8AF3DLW22BD8WHR/Mayra%2BSahiraIvette_2008_HoustonTX_02.jpg Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Mayra & Sahira Ivette - 2008, Houston, TX A set of ultima muñeca-dolls holding tiaras are displayed between a robed male statue for twin quinceañeras Mayra & Sahira. This ritual detail was made in 2008 for a celebration in Houston, TX. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818942392-YZEQN498GX1ZA36KIROF/PedroTzonte%CC%81moc_1999_Me%CC%81xico_01.gif Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Pedro Tzontémoc - 1999, México, Mis XV Años o La Intimidad Colectiva An image by Pedro Tzontémoc. His body of work entitled Mis XV Años o Intimidad Colectiva (My XV Years or Collective Intimacy) was made in 1999 throughout México. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818912634-OTPHAW7M5T07EHZPMB7A/Mayra%2BSahiraIvette_2008_HoustonTX_03.jpg Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Mayra & Sahira Ivette - 2008, Houston, TX A 2008 digital snap of a 2008 photograph. Twin quinceañeras Mayra & Sahira cut into their multi platform cake in Houston, TX. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818943039-X9JRAOMPBIANLM76E161/PedroTzonte%CC%81moc_1999_Me%CC%81xico_02.gif Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Pedro Tzontémoc - 1999, México, Mis XV Años o La Intimidad Colectiva Tzontémoc’s body of work is deep and vast, showcasing his great role in the quinceañera community and represents years of attending celebrations throughout his home country of México in the 90’s. ⁣ https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818944427-LY9TQJH7Q0XP8YAB8NTA/PedroTzonte%CC%81moc_1999_Me%CC%81xico_04.gif Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Pedro Tzontémoc - 1999, México, Mis XV Años o La Intimidad Colectiva https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593818944324-I324R92K6DIS7BNFDEIM/PedroTzonte%CC%81moc_1999_Me%CC%81xico_03.gif Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf - Pedro Tzontémoc - 1999, México, Mis XV Años o La Intimidad Colectiva An image from the local quinceañera practice, as seen by Pedro Tzontémoc’s project then book entitled Mis XV Años la intimidad colectiva and published in 1999. Though the text is now hard to come by, it was introduced to me when visiting the archives of the renowned Centro de la Imagen museum in México City. For more of his impactful work outside this series, visit his site or search his name at your next public library visit. ⁣ https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594765556212-AO88A4EY3UCLLEAFU5SD/SCF_Bio.jpg Journal-archive - Consumerism in Digital Archives: Placing Latinx Traditions on the Right Cultural Shelf https://www.engagingcollections.com/journal-archive/acknowledging-archives monthly 0.5 2021-02-15 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595108084048-R5J97C6MRWB3EAY59FD7/Fig2_Boltanski_ReserveDetective.jpg Journal-archive - Acknowledging Archives (after Caswell) Christian Boltanski, Reserve Detective III, 1987, included in the exhibition Archive Fever: Uses of the Document in Contemporary Art, features shelves of captionless mugshots, anonymously merging perpetrators and victims of violent crimes. Photo: Artists Rights Society (ARS), New York / ADAGP, Paris / Marian Goodman Gallery. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595115207126-O7DDXSK0I89YA630XKEC/072919_0424_lydiasee.jpg Journal-archive - Acknowledging Archives (after Caswell) Heather South, Lead Archivist, meets with students from the Warren Wilson College MA in Critical Craft Studies in the Western Regional Archives, State Archives of North Carolina. Photo courtesy lydia see. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595109294223-TV0M1OB6C7J07P33APAG/image-asset.jpeg Journal-archive - Acknowledging Archives (after Caswell) Historians and humanities scholars have taken note: in 2018, medievalist Bridget Whearty devised “The Caswell Test” with three steps for historians to follow to avoid erasing archives workers’ labor. (12) https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595113167686-TD76QY65NUFAJNFLJ38W/image-asset.jpeg Journal-archive - Acknowledging Archives (after Caswell) Mierle Laderman Ukeles, I Make Maintenance Art One Hour Every Day, 1976. Photo: Whitney Museum of American Art. © Mierle Laderman Ukeles, The Queens Museum and Ronald Feldman Fine Art, New York. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595113506015-L0YX8A01TI41ILGC1N41/image-asset.jpeg Journal-archive - Acknowledging Archives (after Caswell) The Black Asheville History Project, an ongoing project of Buncombe County’s North Carolina Room, is an example of a community archiving project within a formal memory institution. The project is designed to make community members key, active partners with decision-making agency in ensuring that their community’s history is collected, preserved, and made accessible (30). Here, Sophie Dixon (left) and North Carolina Room volunteer Louise Maret (right) look over miscellaneous items brought in by Dixon for the history harvest in an individual interview. Photo by Abigail Wolff, courtesy of the North Carolina Room. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595113637351-U6TF7U7JW8ZTIFE7S2SJ/image-asset.jpeg Journal-archive - Acknowledging Archives (after Caswell) Garrick Imatani, 1970 Bombing of City Hall I-VI, Exhibition at North Portland Library, Portland, OR (October 27-December 5, 2014). From The Watcher Files Project, artist residency with Kaia Sand at the City of Portland Archives and Records Center in Portland, OR (2013-2015). Photo via the artist’s website, © Garrick Imatani. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595460557087-HKVM32LPLAVJ0R2ZTPS5/Fig8_UNCADramaClassResearch_20190904_HeatherSouthWRA.jpg Journal-archive - Acknowledging Archives (after Caswell) “Archives aren’t sedentary places where old pieces of paper languish in boxes; they are kinetic lively places of interaction,” states archivist Heather South (35). Here, a class of drama students does research in the Western Regional Archives, State Archives of North Carolina. Photo courtesy of the Western Regional Archives, Asheville, NC. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595113938064-KGGVTNI63EY16HPHQJIG/image-asset.jpeg Journal-archive - Acknowledging Archives (after Caswell) Archives at the Museum of Modern Art, 2017. Photo by the author. (Okay—they definitely don’t all look this nice!) https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595109880718-ZD2PKBTJACC7GOBTDS5C/selfie2020_medium.jpg Journal-archive - Acknowledging Archives (after Caswell) https://www.engagingcollections.com/journal-archive/providence-public-library-creative-fellowship monthly 0.5 2020-08-17 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593071142334-UDJLRC59JC3GERK1SLXE/Wipeout.jpg Journal-archive - Providence Public Library’s Creative Fellowship: Old Legacies, New Work  Walker Mettling’s “The Providence Sunday Wipeout” https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593071278812-DCSJ7BPA9K2HPWZGH9RF/Laura_book.JPG Journal-archive - Providence Public Library’s Creative Fellowship: Old Legacies, New Work  2019 Creative Fellow Laura Brown-Lavoie demonstrates her enthusiasm about her hold shelf https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593071131198-WXTSVJABIL0RTQSYPGKK/Becci_Private+Proclamations.jpg Journal-archive - Providence Public Library’s Creative Fellowship: Old Legacies, New Work  Creative Fellow Becci Davis performing “Private Proclamations” on the steps of the Library https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593071743715-FD7IT9YECKXXNI9J7XB3/image-asset.jpeg Journal-archive - Providence Public Library’s Creative Fellowship: Old Legacies, New Work  Part of an installation from Creative Fellow Laura Brown-Lavoie’s Earth Day ritual https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593071651819-SHFEL2QUYZ1Z8WW0HWQ5/Keri_studio.jpg Journal-archive - Providence Public Library’s Creative Fellowship: Old Legacies, New Work  Keri King at work in her studio https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595280806918-90L53M3Z7MRUDVA7K6AS/Angela+DiVeglia.jpg Journal-archive - Providence Public Library’s Creative Fellowship: Old Legacies, New Work  https://www.engagingcollections.com/journal-archive/thread-library monthly 0.5 2020-08-03 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594955733435-CBF9BW7AA8EKS47MEI6I/Thread_Library_6.jpg Journal-archive - Thread Library: An Argument for Art in the Stacks Thread Library, Iowa City Public Library, February 2020 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594952979583-P446Q749KZUXK1OH35P8/book_negatives_1.jpg Journal-archive - Thread Library: An Argument for Art in the Stacks Negative Theology, University of Iowa Main Library https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594953663146-P7TXPBTL9MKVUVLYECU8/book_negatives_2.jpg Journal-archive - Thread Library: An Argument for Art in the Stacks https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594955694863-0SY8R35CO7T9YK97GHIG/pasted+image+0+%286%29.png Journal-archive - Thread Library: An Argument for Art in the Stacks Thread Library, Iowa City Public Library, February 2020 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594955937710-7T9SAYMS0EUEU5WEO799/Thread_Library_print_square_1.jpg Journal-archive - Thread Library: An Argument for Art in the Stacks https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594955615966-OYQVXL8NCBU7W3NQN0QI/Thread_Library_1_2.jpg Journal-archive - Thread Library: An Argument for Art in the Stacks Thread Library, Iowa City Public Library, February 2020 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594952453301-BNFH5MYM75MWU6CSZI0S/image-asset.jpeg Journal-archive - Thread Library: An Argument for Art in the Stacks https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594952493892-01QOB5Y19C3WOFF6VV6W/Correspondence_2.jpg Journal-archive - Thread Library: An Argument for Art in the Stacks https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594955975454-43SOMU5R0THE4BXDRRXP/thread_library_large_24_1.jpg Journal-archive - Thread Library: An Argument for Art in the Stacks https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594955878133-ARCYJY7168A95J1ZRU6B/image-asset.jpeg Journal-archive - Thread Library: An Argument for Art in the Stacks https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594955827548-YRX64R0VN1XINF0RKDYB/image-asset.jpeg Journal-archive - Thread Library: An Argument for Art in the Stacks https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594955845717-ENKGOG5PINP57AIS3BZF/image-asset.jpeg Journal-archive - Thread Library: An Argument for Art in the Stacks https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594956642035-0ZQR82Y9FO693QEQTA9F/Tristan.jpg Journal-archive - Thread Library: An Argument for Art in the Stacks https://www.engagingcollections.com/journal-archive/folkstreams monthly 0.5 2021-02-15 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594682381805-I7PC383DBU6H0BQZ2K2H/FS+1.png Journal-archive - An Engaging Collection: Folkstreams.net Etta Baker from Step It Up & Go by Glen Hinson, Susan Massengale https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594683272751-5YNA2LWUD7Y4LCRUT6L4/FS+2.png Journal-archive - An Engaging Collection: Folkstreams.net Opening sequence from Welcome to Spivey’s Corner by Keir Cline https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594683431997-T64DWQD30196QZIS248I/ElizabethMoran_2019_AgainstTheBestPossibleSources_installationView2.jpg Journal-archive - An Engaging Collection: Folkstreams.net The Landis Brother’s Gospel Group from A Singing Stream by Tom Davenport https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594683386279-2HNOLCOPXU5FOIL8TTA5/FS+4.png Journal-archive - An Engaging Collection: Folkstreams.net Opening sequence from A Singing Stream by Tom Davenport https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594682735954-BF7ZGLQB0B7R88SHHVMB/Sarah-Carter-IMG_2292.JPG Journal-archive - An Engaging Collection: Folkstreams.net https://www.engagingcollections.com/journal-archive/latinx-diaspora-archives monthly 0.5 2020-08-14 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1590606774285-8ETG17ET5NW02XJM6N0A/Latinx_Diaspora_Archives7.jpg Journal-archive - @Latinx_Diaspora_Archives: Family Photographs as Counter-Narratives of the Latinx Diaspora submitted to Latinx Diaspora Archives by Adeline Lulo of her and her family in the Bronx, NY in 1993. Her parents migrated from the Dominican Republic and they continue to live in the Bronx. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1590606725485-QB6C9BFE9BZXVX0S6EU2/Latinx_Diaspora_Archives1.JPG Journal-archive - @Latinx_Diaspora_Archives: Family Photographs as Counter-Narratives of the Latinx Diaspora submitted by Ernie Rios taken in 1999 by his family in Salisbury, North Carolina. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1590606845301-TM4T1XOAFXYTM6I2G2P8/Latinx_Diaspora_Archives5.jpeg Journal-archive - @Latinx_Diaspora_Archives: Family Photographs as Counter-Narratives of the Latinx Diaspora submitted by Andy Melendez “Sombreros, leather jackets, ray bans, patterned shirts, cowboy boots, and big belt buckles was what my fam was into back in their 20s. Sometimes I wonder how I would be if I was born and raised in Guatemala “ taken in Guatemala before migrating to Long Island, NY in the '80s https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1590606725136-HY2QNH0RT6FEUX5XG5Y2/Latinx_Diaspora_Archives2.JPG Journal-archive - @Latinx_Diaspora_Archives: Family Photographs as Counter-Narratives of the Latinx Diaspora submitted by the Padilla family of her father and children in Oaxtepex in 1996 before his migration to Raleigh, North Carolina https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1590607706888-VLY5K27ZQAMT6O0ZJIA3/Latinx_Diaspora_Archives3.JPG Journal-archive - @Latinx_Diaspora_Archives: Family Photographs as Counter-Narratives of the Latinx Diaspora submitted by the Padilla family of all of the family in Raleigh, North Carolina in 1997. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1590606729715-WGD2JT4HJK11PZDHK0A1/Latinx_Diaspora_Archives4.JPG Journal-archive - @Latinx_Diaspora_Archives: Family Photographs as Counter-Narratives of the Latinx Diaspora submitted by Jennessa Martinez whose mother is Mexican and father is first-generation Puerto Rican "the photo is of my titi Yoli, my dad, and my tio Izzy in Chicago Humboldt Park." Jenessa's father was a football coach in the neighborhood that helped take kids off the street, sadly he was a victim of gun violence in 2015. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1590606766624-7B498QUDNPVUWK0GVWL7/Latinx_Diaspora_Archives6.jpg Journal-archive - @Latinx_Diaspora_Archives: Family Photographs as Counter-Narratives of the Latinx Diaspora submitted by Jennifer Moya . “It's a photo of my mom and dad (Olga and Victor, I call them mami y papi) in Tiataco, Bolivia. This is before they were married, they were probably engaged at this point. I really love this photo because it's one of the few where they are smiling and you can really see how much they love each other. It's truly young love. They are also at my grandma's house in this photo, in el campo, where they grew up. Their families were neighbors but they didn't know of the existence of each other until my dad was visiting Bolivia, one his many trips back and forth after migrating to the U.S. My parents said they met while helping their parents with some farm work in the fields. That's when my dad fell in love with my mom. He kept on pursuing her for months until she finally agreed to go out with him. Who knew they would find love just across the street from each other? I wrote a poem about their love story in Spanish for a writing class in college because my parents never really told me all the details of their life, the emotions and thoughts they were feeling (from what I have noticed people from the campo sometimes have a hard time really expressing vulnerability and love for each other through words). So I tried to recreate the story through poetry, written word, from my dad's POV. I also started carrying this photo around with me in school to remind me why I do the things to do, for them, preserving and sharing our culture.” https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1590606774285-8ETG17ET5NW02XJM6N0A/Latinx_Diaspora_Archives7.jpg Journal-archive - @Latinx_Diaspora_Archives: Family Photographs as Counter-Narratives of the Latinx Diaspora submitted by Adeline Lulo of her and her family in the Bronx, NY in 1993. Her parents migrated from the Dominican Republic and they continue to live in the Bronx. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1590606776588-X9NEV40ZXOPNJ4A17BEV/Latinx_Diaspora_Archives8.JPG Journal-archive - @Latinx_Diaspora_Archives: Family Photographs as Counter-Narratives of the Latinx Diaspora submitted by Elen “ This is a picture of my grandparents Aurelia & Ruben, my uncle Jaime & my dad Enrique. it was taken in Northridge, CA after receiving their US citizenship a couple of years after my grandpa moved from Michoacán & my grandma moved from Ensenada to Tecate, BC where they met and moved to the San Fernando Valley in the 80s” https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1590606835038-92QWTAF0UA5PNKK9P8S3/Latinx_Diaspora_Archives9.jpg Journal-archive - @Latinx_Diaspora_Archives: Family Photographs as Counter-Narratives of the Latinx Diaspora Peter Luna’s school class in the 40’s in the Logan Barrio in Santa Ana. In collaboration with the Santa Ana city archives. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1590606838604-4QXWWAH9GOSIRB9V15SD/Latinx_Diaspora_Archives10.JPG Journal-archive - @Latinx_Diaspora_Archives: Family Photographs as Counter-Narratives of the Latinx Diaspora submitted by Nathalie Esther “This is my dad in Nicaragua 1984, he came to Pacoima, California in ‘85 then moved to Virginia and met my mom in ‘88.” https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594770839241-1GEEH0AJ5YJVAQILDZOH/williamcamargoportrait2.jpg Journal-archive - @Latinx_Diaspora_Archives: Family Photographs as Counter-Narratives of the Latinx Diaspora https://www.engagingcollections.com/journal-archive/tobacco-baskets monthly 0.5 2021-02-15 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595954861573-8N40PIBWAYDUFTA6W1M8/image-asset.jpeg Journal-archive - Something(s) I am thinking about: Tobacco Baskets Antique Tobacco Barn, Asheville, NC. 2020. Mellanee Goodman https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596153594641-55YMI56139HLT3N3B240/IMG_7690.jpg Journal-archive - Something(s) I am thinking about: Tobacco Baskets Sweeten Creek Antiques, Asheville, NC. 2020 Mellanee Goodman https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596153650435-UFBJON1QTI37WMKHQH8M/IMG_7691.jpg Journal-archive - Something(s) I am thinking about: Tobacco Baskets Sweeten Creek Antiques, Asheville, NC. 2020 Mellanee Goodman https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596153708428-QN5FWO2ISZN3INS51JHH/IMG_7692.jpg Journal-archive - Something(s) I am thinking about: Tobacco Baskets Lexington Park Antiques, Asheville, NC. 2020 Mellanee Goodman https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596058704628-93RIV7NBAQMXT99TSX8M/MG.+Headshot.png Journal-archive - Something(s) I am thinking about: Tobacco Baskets Photo courtesy Maxim Ryazansky https://www.engagingcollections.com/journal-archive/in-the-roots-of-wise-women monthly 0.5 2020-07-31 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595121716204-2GZRJ228GH7YELK8CVV0/Caldwell_ITROWW-Self-portrait+with+grandmother%2C+Michel+and+Goldenrod+and+Violet.jpg Journal-archive - In the Roots of Wise Women Self-portrait with my grandmother, Michel, with Goldenrod and Violet https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595120886087-FC5VZW0G5TEXVSF26OSI/Caldwell_ITROWW-Barbara+and+Mountain+Mint.jpg Journal-archive - In the Roots of Wise Women https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595124609159-4K8E9CLJ93P3FKFXJRQP/Barbara+and+Mountain+Mint.jpg Journal-archive - In the Roots of Wise Women https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595120869080-W49BIQFSFV9ZDGZ71JZZ/Caldwell_ITROWW-Garrett+and+Fern.jpg Journal-archive - In the Roots of Wise Women https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595124501250-UQZHNRQYYPC2WKY0G0ZG/Garrett+and+Fern.jpg Journal-archive - In the Roots of Wise Women https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595120971326-UIWCTY3T0RMBZOT4O5NW/Caldwell_ITROWW-Katrina+and+Rose.jpg Journal-archive - In the Roots of Wise Women https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595124549268-KL13BFQO3B6UZAR6ZJMO/Katrina+and+Rose.jpg Journal-archive - In the Roots of Wise Women https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595120944390-UF7GWTQDZNTDHJONE1T1/Caldwell_ITROWW-Rachel+and+Orchid.jpg Journal-archive - In the Roots of Wise Women https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595124395360-RNO4PWUHJOCTB4F15WD9/Rachel+and+Orchid.jpg Journal-archive - In the Roots of Wise Women https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595121008547-HGXZMOZNT34SK47XN857/Caldwell_ITROWW-Raven+and+Blackberry.jpg Journal-archive - In the Roots of Wise Women https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595124532984-DQ4GNWXP0T5J6Y3AA7JT/Raven+and+Blackberry.jpg Journal-archive - In the Roots of Wise Women https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595121038699-D0UFYK1FNL1OQ4I18NI1/Caldwell_ITROWW-Sarah+Jayne+and+Lavender.jpg Journal-archive - In the Roots of Wise Women https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595124475316-DF4BQTVWYJA39H2EIK60/Sarah+Jayne+and+Lavender.jpg Journal-archive - In the Roots of Wise Women https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595121047734-TJ5LD7NF1WF8LVIS1A9R/Caldwell_ITROWW-Self-portrait+with+grandmother%2C+Michel+and+Goldenrod+and+Violet.jpg Journal-archive - In the Roots of Wise Women https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595124424543-57DLL5C1N6QMP656AYAA/Self-portrait+with+Grandmother%2C+Michel.jpg Journal-archive - In the Roots of Wise Women https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596167847558-OLQWFHMVDIZ8VG7INHTR/ShaunaCaldwell.jpg Journal-archive - In the Roots of Wise Women https://www.engagingcollections.com/journal-archive/y-bolivia-se-desangro-una-vez-mas-voices-in-collective-thought monthly 0.5 2020-07-31 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594776903679-09JKMTMILQZP7OAIFFS5/CoilBook_EC_01.jpg Journal-archive - Y Bolivia Se Desangró una vez más: Voices in Collective Thought Y Bolivia Se Desangró una vez más / and Bolivia bled out once more: Voices in Collective Thought Accordion book, 2019 top: OEA Fraud Report, Newspaper Electoral Results bottom: burned and unburned clothes, Wiphala Flag https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594777805061-Q6YETIG8AGHTESTP7O0X/image-asset.jpeg Journal-archive - Y Bolivia Se Desangró una vez más: Voices in Collective Thought https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594777869278-3BG2X9JYEWC6QIQKMEAI/image-asset.jpeg Journal-archive - Y Bolivia Se Desangró una vez más: Voices in Collective Thought https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594777645994-UQN7WI5DMX6HREPJTXO5/CoilBook_EC_02.jpg Journal-archive - Y Bolivia Se Desangró una vez más: Voices in Collective Thought https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594777585877-4J864I2OCK908ZZKR0A2/Whipala.png Journal-archive - Y Bolivia Se Desangró una vez más: Voices in Collective Thought https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594777895451-WX29P7WAQU7K8HY3YQP2/CoilBook_EC_05.jpg Journal-archive - Y Bolivia Se Desangró una vez más: Voices in Collective Thought https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594777953062-MKAN8D1W9SH1KT2NZH4H/CoilBook_EC_07.jpg Journal-archive - Y Bolivia Se Desangró una vez más: Voices in Collective Thought https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594777915736-BA68KRWBGY4ZM1I4XVRM/CoilBook_EC_06.jpg Journal-archive - Y Bolivia Se Desangró una vez más: Voices in Collective Thought https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594785351938-Y076GTALBNAJSHW8SABL/MendezSubieta_Headshot.png Journal-archive - Y Bolivia Se Desangró una vez más: Voices in Collective Thought https://www.engagingcollections.com/journal-archive/queer-collections monthly 0.5 2020-08-14 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594771885272-ETPTBYUMN5206ZHSPPKO/1a.jpg Journal-archive - Queer Collections - Interview and Photographs with Artist Truong Tran Tran seated on his Hans Wegner couch https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594772235416-L0V8GDZO96TYWNNFIUCM/2.jpg Journal-archive - Queer Collections - Interview and Photographs with Artist Truong Tran Detail from Tran’s collection of wooden shapes. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594772300276-89LONWDR5UC5A4S8SZ2P/pasted+image+0+%286%29.png Journal-archive - Queer Collections - Interview and Photographs with Artist Truong Tran Reunited ergonomic salad scoops turned into sculpture. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594772398159-JGU32RGCATSOZIYK2DBT/pasted+image+0+%285%29.png Journal-archive - Queer Collections - Interview and Photographs with Artist Truong Tran Sculpture using the found image of a young woman’s grandfather. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594773480310-9WDWPFT6VKG1CGAMA5K1/10.jpg Journal-archive - Queer Collections - Interview and Photographs with Artist Truong Tran Targets from Tran’s Framed Target series created from his collection of thrifted bowls. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594772525658-FMNIRF3Z9700DNB5QQ3V/5.jpg Journal-archive - Queer Collections - Interview and Photographs with Artist Truong Tran Cutting boards and stopped clocks. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594773157766-A2LXR22H37QLK6NPNZHC/6.jpg Journal-archive - Queer Collections - Interview and Photographs with Artist Truong Tran Stopped clocks hanging in Tran’s kitchen. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594773229420-EPLSD2QAWS0OMBMK3G0I/7.jpg Journal-archive - Queer Collections - Interview and Photographs with Artist Truong Tran Bags of cranes folded by Tran’s student. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594773330099-FYRXDE6U9HGEED2PW73D/8.jpg Journal-archive - Queer Collections - Interview and Photographs with Artist Truong Tran Sculpture using the folded cranes. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594773373341-CVL6XRIRM1HYK7H88Y4N/9.jpg Journal-archive - Queer Collections - Interview and Photographs with Artist Truong Tran The work in progress, Framed within the Context of White. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594774237175-ATH57K5M35KXE1JZTJUV/image-asset.jpeg Journal-archive - Queer Collections - Interview and Photographs with Artist Truong Tran Visual artwork created from found porn cut into butterflies. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594774268500-7XMIVFPLO3WGV8N6ZWJG/13.jpg Journal-archive - Queer Collections - Interview and Photographs with Artist Truong Tran Detail of porn butterflies. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594774341897-1DSPYBJCZL5NR1I0LOOE/14.jpg Journal-archive - Queer Collections - Interview and Photographs with Artist Truong Tran Quilt woven from porn and calendars for Truong’s neighbor, Joe. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594774432582-BHK6WRVXJ9K85JIQDLBZ/image-asset.jpeg Journal-archive - Queer Collections - Interview and Photographs with Artist Truong Tran Family of Kokeshi dolls. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594773564732-Y59HHP7NC946M0VQ37JG/image-asset.jpeg Journal-archive - Queer Collections - Interview and Photographs with Artist Truong Tran Tran in his basement full of collected materials. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594774617195-SJ9MQP75IF79PCS3V01R/18.jpg Journal-archive - Queer Collections - Interview and Photographs with Artist Truong Tran https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594774035626-JVPWN8U5PL68S5GS2JAV/Tristan.jpg Journal-archive - Queer Collections - Interview and Photographs with Artist Truong Tran https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594773986988-8W1G6LQYSE7VEZ4VBM5X/Zoe.jpg Journal-archive - Queer Collections - Interview and Photographs with Artist Truong Tran https://www.engagingcollections.com/journal-archive/cryptozoology monthly 0.5 2020-08-14 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593822605804-XO69GZ2TBF2447T4OYFB/pasted+image+0.png Journal-archive - Contemporary Cryptozoology: Problematic Legacy Of Cabinet Of Curiosities International Cryptozoology Museum, Portland ME, 2019 Photograph taken by Oliver Loren Coleman’s portrait, masks, and models of bigfoot, etc as an unsorted, heterogeneous display https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593822742760-78ZEW8WGFO4XQ4WACSF6/pasted+image+0+%287%29.png Journal-archive - Contemporary Cryptozoology: Problematic Legacy Of Cabinet Of Curiosities Bigfoot Discovery Museum, Felton CA, 2016 Photograph taken by Fleur Williams Displays of toys can demonstrate the collective human obsession of the search for bigfoot and capitalism https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593823272918-JKPEGNZSPEV5ILXM9E11/pasted+image+0+%286%29.png Journal-archive - Contemporary Cryptozoology: Problematic Legacy Of Cabinet Of Curiosities China Flat Museum Bigfoot Collection,Willow Creek CA, Photograph from Atlas Obscura Exhibit demonstrating how the adventures, the excitement of “hunting” [searching, seeking, and also actual hunting] cryptids and telling stories took over cryptozoology https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593823348000-TPIMAE6QZ278VL8B0K4F/pasted+image+0+%285%29.png Journal-archive - Contemporary Cryptozoology: Problematic Legacy Of Cabinet Of Curiosities Expedition: Bigfoot The Sasquatch Museum,Blue Ridge GA, 2020 Photograph taken by Imgur user Albannaich819 With bigfoot as a frontispiece, hiking gears, and a logo with signifiers of half of an ethnographic mask and half of a bigfoot https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593823418109-ITTJCDLDE6LDT3U1K3HA/pasted+image+0+%282%29.png Journal-archive - Contemporary Cryptozoology: Problematic Legacy Of Cabinet Of Curiosities International Cryptozoology Museum, Portland ME, 2019 Photograph taken by Oliver Display mimicking cabinets of curiosities, filled with toys and souvenirs https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593823499120-9QTFWNGA36R4OHSH5C7T/Screenshot+2020-05-03+at+9.44.06+PM.png Journal-archive - Contemporary Cryptozoology: Problematic Legacy Of Cabinet Of Curiosities Expedition: Bigfoot The Sasquatch Museum,Blue Ridge GA, 2019 Video taken by Youtube user Quite Good and Awesome Exhibit demonstrating how the adventures, the excitement of “hunting” [searching, seeking, and also actual hunting] cryptids and telling stories took over cryptozoology https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593823539965-AF70E7F7BY40UUS74K2D/pasted+image+0+%284%29.png Journal-archive - Contemporary Cryptozoology: Problematic Legacy Of Cabinet Of Curiosities North American Bigfoot Center, Boring OR, 2019 Photograph taken by Wesley Lapointe Ethnographic objects juxtaposed with bigfoot related objects https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593823593328-42QIMFVZBSPPLI22FKWV/pasted+image+0+%281%29.png Journal-archive - Contemporary Cryptozoology: Problematic Legacy Of Cabinet Of Curiosities International Cryptozoology Museum, Portland ME, 2019 Photograph taken by Oliver A bigfoot painting juxtaposed with ethnographic objects without descriptions https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593823643404-ALO6G5RNGZ0WY78041YN/pasted+image+0+%283%29.png Journal-archive - Contemporary Cryptozoology: Problematic Legacy Of Cabinet Of Curiosities International Cryptozoology Museum, Portland ME, 2019 Photograph taken by Oliver Display case showcasing objects with no description https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594769421704-7UX2NJHOUOSKVX8ITJ64/image-asset.jpeg Journal-archive - Contemporary Cryptozoology: Problematic Legacy Of Cabinet Of Curiosities https://www.engagingcollections.com/journal-archive/against-the-best-possible-sources monthly 0.5 2020-08-14 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593837664942-GAONUXJYJ1WQNQV4GNYG/ElizabethMoran_2019_AgainstTheBestPossibleSources_installationView.jpg Journal-archive - Against the Best Possible Sources Against the Best Possible Sources 2019 installation view - Multi-media installation, stereo digital audio recording, runtime 10min https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593840030782-35DVYK8MXDAIZ1GE1KPX/ElizabethMoran_2019_AgainstTheBestPossibleSources_installationView5.jpg Journal-archive - Against the Best Possible Sources The three books which formed TIME’s original library—the Bible, Xenophon’s Anabasis, and the Iliad Decommissioned library books, The Holy Bible, Xenophon’s Anabasis, Homer’s Iliad (unique) Dimensions variable - (Installation detail) https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593840322780-O836BTIH5U31LP3N1Y68/ElizabethMoran_2019_AgainstTheBestPossibleSources_installationView2.jpg Journal-archive - Against the Best Possible Sources Against the Best Possible Sources 2019 Multi-media installation, stereo digital audio recording, runtime 10min (Installation detail) https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593838806844-BKKU6FP4JAPW1DFDF6NE/ElizabethMoran_2019_AgainstTheBestPossibleSources_installationView4.jpg Journal-archive - Against the Best Possible Sources Multi-media installation, stereo digital audio recording, runtime 10min Dimensions variable (Installation detail) https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593838786978-NKV9IHRN1YX5KVLHOIIO/ElizabethMoran_2019_AgainstTheBestPossibleSources_installationView6.jpg Journal-archive - Against the Best Possible Sources Multi-media installation, stereo digital audio recording, runtime 10min Dimensions variable (Installation detail) https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593838800896-YAG4DOTXHJVSJPU1G4FA/ElizabethMoran_2019_AgainstTheBestPossibleSources_installationView3.jpg Journal-archive - Against the Best Possible Sources Multi-media installation, stereo digital audio recording, runtime 10min Dimensions variable (Installation detail) https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593838847040-BA2TA66E384EJJB5VCIR/ElizabethMoran_2019_AgainstTheBestPossibleSources_detail.jpg Journal-archive - Against the Best Possible Sources Against the Best Possible Sources (bookend) #12 Dye sublimation printed steel 8.875x6x8.125in 2019 (Installation detail) https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593840072493-JBPFPZ9HOFUCZXNSQ0KJ/ElizabethMoran_2019_AgainstTheBestPossibleSources_installationView7.jpg Journal-archive - Against the Best Possible Sources Against the Best Possible Sources (bookend) #3 5x4.75x5.25in Dye sublimation printed steel 2019 (Installation detail) https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593838768787-3S3Q10PFBZALFRLB2SAB/ElizabethMoran_ABPSbookend_01.jpg Journal-archive - Against the Best Possible Sources Against the Best Possible Sources (bookend) #1 5x4.75x5.25in Dye sublimation printed steel 2019 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593838769480-0Q10OIRH6NOWWCHQSV9I/ElizabethMoran_ABPSbookend_02.jpg Journal-archive - Against the Best Possible Sources Against the Best Possible Sources (bookend) #2 5x4.75x5.25in Dye sublimation printed steel 2019 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593838775382-SIORETGCVSA5PHMDHO43/ElizabethMoran_ABPSbookend_06.jpg Journal-archive - Against the Best Possible Sources Against the Best Possible Sources (bookend) #6 5x4.75x5.25in Dye sublimation printed steel 2019 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593838867031-26XE2U726GKFJUQDL723/ElizabethMoran_2019_AgainstTheBestPossibleSources_installationView8.jpg Journal-archive - Against the Best Possible Sources For research purposes only (How to Check) and (General Rules) 2019 11 x 8.5 inch each Stamped photocopies (Installation view) https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593838846405-VPRXVTZMCMPPZI9FB9JP/ElizabethMoran_2019_AgainstTheBestPossibleSources_GeneralRules.jpg Journal-archive - Against the Best Possible Sources For research purposes only (General Rules) 11x8.5in Stamped photocopy https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593838827742-BI0F228Q4H0JO0MAAIII/ElizabethMoran_2019_AgainstTheBestPossibleSources_HowToCheck.jpg Journal-archive - Against the Best Possible Sources For research purposes only (How to Check) 11x8.5in Stamped photocopy https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1593838869878-6KYFV2GOKU8YC7T8ZV0H/ElizabethMoran_2019_AgainstTheBestPossibleSources_TheFuture.jpg Journal-archive - Against the Best Possible Sources For research purposes only (The Future) 11x8.5in Stamped photocopy https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594680451054-43LA9XZI10O934VOXT50/ElizabethMoran_headshot.jpg Journal-archive - Against the Best Possible Sources https://www.engagingcollections.com/journal-archive/home-place monthly 0.5 2020-07-31 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595282920861-WH41EJSNJIZO9S79VA0Q/102_Martin_NatalieBaxterPortrait_3.jpg Journal-archive - home / place Photo courtesy Maxim Ryazansky https://www.engagingcollections.com/journal-archive/how-the-west-was-lost monthly 0.5 2020-08-13 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594851235763-N8SH76A9TQXPBXECOIN8/IMG_20190821_121302Steacy-Idaho.jpg Journal-archive - How the West was Lost: On Archiving Sex in the Mountain West Idaho Mr. Leatherman Assoc. Mardi Gras. April 12, 1988. Handbill. USC. The One Foundation. 1988. Man to Man Personals. 1988(?). Handbill. USC. The One Foundation. 1988. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594851104722-KX8AGYF32XBYLVF9G3EB/IMG_20190821_104953.jpg Journal-archive - How the West was Lost: On Archiving Sex in the Mountain West The Community Foundation. Sweetheart Dance. February 16, 198(?). Handbill. USC. The One Foundation Archives. 198(?) https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594851125424-OL64ITB4XR3C6EOGPZNV/image-asset.jpeg Journal-archive - How the West was Lost: On Archiving Sex in the Mountain West The Community Foundation. SweetHeart Dance. February 15, 1986. Handbill. USC. The One Foundation Archives. 1986. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594851065816-NASHGFNPQGWSVK8JLR74/image-asset.jpeg Journal-archive - How the West was Lost: On Archiving Sex in the Mountain West The Community Foundation. AIDS Research for Hospice. August, 1985. Handbill. USC. The One Foundation Archives. 1985. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594851174292-IY230RNNSJMYVLS92HWO/image-asset.jpeg Journal-archive - How the West was Lost: On Archiving Sex in the Mountain West The Community Foundation. Motherlode. July 18, 1986. Handbill. USC. The One Foundation Archive. 1986. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594851281475-XG0B8S948S7168BG4S6K/IMG_20190821_112012Steacy-Idaho.jpg Journal-archive - How the West was Lost: On Archiving Sex in the Mountain West The Imperial Gem Court of Idaho. A Night In Gay Paree. Oct. 25, 1985. Handbill. USC. The One Foundation Archives. 1985. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594851418127-0VUQ41KN5VFGKDXYEIK1/IMG_20190821_120007Steacy-Idaho_1.jpg Journal-archive - How the West was Lost: On Archiving Sex in the Mountain West The Imperial Gem Court of Idaho. Art Deco: The Crowning Event. July, 26. 1986. Handbill . USC. The One Foundation Archive. 1986. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594851478710-I4UGDWJ92GIPD172IPVU/IMG_20190821_113031Steacy-Idaho.jpg Journal-archive - How the West was Lost: On Archiving Sex in the Mountain West The Community Foundation. AIDS Awareness Week Sponsor List. 1984. np. Newsletter. USC. The One Foundation Archives. 1984. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594849737694-HTF4I9TAZITJ1MSXHKT3/image-asset.jpeg Journal-archive - How the West was Lost: On Archiving Sex in the Mountain West (bio image by Brandon Canning) https://www.engagingcollections.com/journal-archive/social-distance-photo-project monthly 0.5 2020-08-14 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596119216097-ODQ5LQIIQAFJGWNSOV4N/ALEX.jpg Journal-archive - Social Distance (a photo project) ALEX, by Ariela Subar https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596119261978-F9Y6A031RPK2ECR6VT8K/CORI.jpg Journal-archive - Social Distance (a photo project) - CORI – Poet, theatre artist, part-time teacher – 22 – she/her/hers and they/them/theirs Chicago, IL “I’m a teacher’s aide at an elementary school. I know for some kids, their only escape was school. So I know that this is a very difficult time for people that use school or work or going out with friends, going out to eat, as distractions. They’re stuck with having to confront their feelings head on. I know me personally, I was terrified of being in quarantine, being in self isolation, because I knew the thoughts, the really bad thoughts, the really sad thoughts are just gonna creep into my mind. I have all this alone time and there’s nothing to distract me other than social media, and everything on social media is about what’s happening right now. So it gets really overwhelming because you’re alone, you’re isolated, and you can’t see your friends. You miss them and you miss going outside. You miss things that are ‘normal’.” “The thing I want to contribute to the conversation about wellness and mental health is that there is a traumatic experience happening. And whether it be happening to someone you don’t know, someone you do know, or you personally, this is still traumatic. And it needs to be handled as rationally and as calmly as we possibly can. The media adding all this unnecessary fear does not help. Like, yes, this should be taken seriously but you don’t have to scare people, they’re already scared. So I think I just wanted to make it known, especially to my family, my sister who lives in NY, who’s in the middle of the worst part of it, who’s also under stress. I just want people to realize, that your mental health is important and it’s never been as important as it is now.” https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596119503246-KM2093CSYP0NVR4I1D9K/NASTYA.jpg Journal-archive - Social Distance (a photo project) - NASTYA – Community supporter, COVID-19 screener, musician – 29 – she/her/hers and they/them/theirs Portland, OR “I didn’t realize how much you rely on facial expression to communicate empathy and compassion, especially to people that have had a lot of trauma. The face shield and the mask completely change that interaction. You have to work so much harder to one - just be understood verbally, and two – to just come across as compassionate, to come across as understanding, to show people that you’re on their side, that you care, and that you’re there to help them. People respond with more hostility and uncertainty. There’s almost a breach in trust that happens because of those added barriers. There’s both this feeling of “I can’t see what you’re thinking or doing or what’s going on your end” and also this image of “I need to shield myself from you”. And therefore we now have that breach in trust and are unsure of how to interact with each other. That’s been really complicated. I find myself trying to come up with gestures and trying to find other small ways – I drew a smiley face on my mask for the first week. Just to try and communicate some sense of safety and fun and normalcy because it all felt so dystopian. I’m just trying to find creative ways to bridge that gap.” https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596119524068-PJ81ORRC9AMALN4DS19U/ALEC.jpg Journal-archive - Social Distance (a photo project) - ALEC – Performer, graphic artist, videographer, marketing manager – 25 – he/him/his Portland, OR “I got really into Catan in college because of my friend Michael. I lost contact with a lot of people from college over these past few years. I took a very serious track – I wanted to build my career and do theatre and I didn’t have a whole lot of other friends who did that. But I recently reconnected with a lot of people. And when the quarantine hit, I was glad I made all those connections. Because now, like yesterday, I played the online version of Settlers of Catan with Michael and his roommate – all of whom were friends from college. And it was just really nice to be able to go back to that and to bond over this thing, this game that we played in college.” “Tomorrow, me and two other friends who are completely from another sector of my life are gonna watch the 90th Sondheim anniversary special with all these Broadway people through a Zoom meeting. These very interesting parts of my life are being juxtaposed in my home, in my head, together. I’m always the singular thing that connects those two very different worlds. But I, as a physical person, am not moving anywhere. Right? I’m in the exact same chair having the exact same Zoom meeting with you, just like when I play Settlers of Catan my friends, or play Animal Crossing by myself, or watch a Broadway Sondheim musical. It’s very interesting being in the same physical space but interacting with all the different parts of yourself at once. And it’s kind of interesting to feel - it almost feels a little sacrilegious. My theatre friends don’t always really get my video game stuff. And my video game friends don’t really understand – they don’t even know that I do theatre. And so for me, bringing those parts of me out and bringing them back together kind of feels a little strange. But it also makes me feel a little more whole.” https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596119216097-ODQ5LQIIQAFJGWNSOV4N/ALEX.jpg Journal-archive - Social Distance (a photo project) - ALEX – Student, artist – 19 – she/her/hers and they/them/theirs Vancouver, BC “I’m just kind of full of ‘barely’s. I finished my first mentorship in the nick of time and it got sent off to some digital showcase. I’m finishing my other project in the nick of time. I think our next meeting is tomorrow, and I’m trying to edit and finish up this whole short film, when initially all I wanted to make was a costume. The main thing is that I’m having to do more, to make less. Because I’m having to turn all these performance into short films essentially, which is kind of nightmarish. I’m having to do super long essays and exams when really it would have been a three hour test, back in the day. Pre-COVID times are now kind of “back in the day”. It’s lonely…it’s kind of scary. Things in my family are pretty tense. We lost our dog a week into quarantine so that was hard. In case I haven’t made it clear enough, my life has been kind of a rollercoaster. There’s been good, there’s been bad. But I’m getting by, and I think that’s what matters.” https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596119044925-7A74850ZHPYCEHLE0WWC/GIGI.jpg Journal-archive - Social Distance (a photo project) - GIGI – Stay-at-home domme, marketing professional - she/her/hers Austin, TX “There are some folks that are continuing to work as much as possible. It’s a contact-heavy profession, obviously, so there’s a lot of risk involved there. But certainly there are plenty of people that I know that have prioritized income over quarantine. And then for other folks, there are some people who are lucky to work for established clubs or venues, and their employer has made platforms for them. Whether it’s to do something digitally…in Portland, one of the strip clubs is doing “Boober Eats”, so they have the girls driving deliveries and then they get to make an income through that. But if you work on your own, there’s not much you can do besides get naked on the internet. And that market is so heavily saturated right now by everybody who’s out of work and home alone. So there’s not much of an income to be made there either, unless you had a pre-existing clientele and had been doing that full time before.” “If you didn’t have a salaried income from a venue, which I don’t at this time, you’re not eligible for unemployment. Also in a lot of states, I know New York is one of them, even if you are a documented sex worker you are not eligible for unemployment. I have not gotten a stimulus check - my status just says ‘unavailable’ and I don’t know if I’ll get one or not. So yeah, there’s not much in the way of assistance, as opposed to somebody who’s in a traditional career.” “I just miss people so much. I want to hug everybody. There’s this meme that’s like ‘as soon as this is over I’m kissing all my homies for 45 minutes each’. And I’m like yes, that would be amazing! I miss touching people and being near people. I miss being in a crowd. I definitely have had tons of communication over this point, so its not like I’ve been alone in that sense. I’m on Facebook and Zoom and on the phone every single day. At this point I just want to go stand in a crowd of strangers. I don’t need to talk to anybody, I don’t need that type of interaction, I just want to feel bodies.” https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596119186483-41XCGQ3DXZ8NOELH69XO/KATHY+and+ATENYI.jpg Journal-archive - Social Distance (a photo project) - KATHY – Retired – 70 – she/her/hers & ATENYI – Retired – 70 – she/her/hers Portland, OR ATENYI: We’re worried because they’re saying sooner or later, everybody’s going to get it. We’re in that age group where we don’t know how that’s going to go. It’s a little scary to think that it could just go ‘boom’ and we could be suddenly gone. Or that one of us could be in the hospital and the other couldn’t be with them. That would be a nightmare. And I have some health stuff so that makes it extra double important that I shouldn’t get it. It’s kind of like well, how long do I have to stay in the house and away from people? And when they open things up, is it going to be safe for me to go out too or am I going to have to hang back and wait for the second wave? Knowing that there’s a virus out there that could take you out that quickly…I mean you get in the car and someone could take you out that quickly. But we’re not used to this virus. And I’m sure it’s not going to be the last one that is gonna hit…I don’t know if the world is going to change in some way. KATHY: Being the age we are, I think we worry most about catching it and the health ramifications. We worry that, being a lesbian couple in that situation, we wouldn’t always have access to each other. We’ve done what we can to mitigate that. But at this age, we don’t have to worry about keeping our job. ATENYI: Social Security comes through anyway. KATHY: Yeah, and Medicare. My heart just goes out to families. I mean if you’ve got a house full of kids, what are you doing? It’s beyond me. So we try to remember the blessings that we have. The things that are going right. But we’ve always been that way. We try to acknowledge how fortunate we are. ATENYI: I’m an optimist by nature. KATHY: Yup. I went through a rough time for the first three weeks or so, emotionally. But when I finally got my head around that this is going to be a long time, then I could lean into it. At first, I couldn’t figure that piece out. Was this going to be over by the weekend? What does the more long term look like? And once I understood that, I felt a lot better. I still have a hard day now and then but mostly, we’re just chugging away. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596119415095-9JUTX3BER7EAULIVSIJ2/MARTIN.jpg Journal-archive - Social Distance (a photo project) - MARTIN - Hairstylist, Painter, Sculptor, Creator, Rollerskater – 39 – he/him/his Los Angeles, CA “As an independent contractor, when the government decided to close all the nonessential business, I was forced to stop working. And to wait at home without knowing exactly what was gonna happen. Clients reached out to know if we can do their hair. I needed to reschedule everybody. Telling ‘no’ to my clients, really good clients…you need them to survive, and you have to tell them no, I cannot cut your hair. Because this is more than just a break you know? More than a vacation. It’s hard. You’re scared. Usually I do everything that I can to fit you in my schedule, or if I need, I’m gonna come in on a day off. And this time, it’s like no, I cannot do your hair. And most of my clients know, they really understand the situation. I have some though, telling me they’re gonna find someone else who can” “We have to do something. Telling people that they should die? Did you see that? On the news? The Texas governor saying that the old people should be ready to sacrifice themselves. It’s just money, money, money…. Can we for a second put money aside? It’s not about money at that point. It’s about survival now.” https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596119442168-JAVGRNEZR28D73JLFTCA/MARISSA+and+ADYN.jpg Journal-archive - Social Distance (a photo project) - ADYN – Behavioral therapist, server, aspiring astrologer, student of life – 23 – she/her/hers and they/them/theirs & MARISSA – Teaching artist, creative, community organizer – 24 – she/her/hers Beaverton, OR MARISSA: My older sister lives with my parents, but then my younger brother and younger sister live in different cities because they’re working or in school. And at a point, we were all saying that we all want to [go home] but we know it’s the smart thing not to. But then out of the blue they all decided to go back home. ADYN: Like on the same day. MARISSA: At the same time. So they’re all home together right now. And I haven’t been together with them since Christmas. I’m usually not with them unless it’s a big holiday. So I wasn’t planning to see them again until maybe summer. If not then, for sure Thanksgiving. But knowing they’re all there together and having my mom say “you should come, you should come, you should come”, but still knowing it’s not the smart thing to do is really hard. And being super family-oriented is really hard as well. I think that’s been one of the more difficult things. And I know finances are going to start to get tight pretty soon. Thankfully I’ve applied to some aid. I’ve gotten some stuff which is really nice. But that only lasts a certain amount of time. ADYN: Kind of similarly, at a certain point, all of my old high school friends just went home. Everybody was at home. Even some of them were even seeing each other and I was like “man, I really want to go home right now”. But I know that I wouldn’t really even be able to see anybody. I guess from 6 feet away, we could wave and say hi. I know my parents aren’t seeing anybody. I guess it’s difficult just not actually having the option to see friends or family.” https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596119472899-0W1CSQ208PEJIYK4WCYO/BENJI.jpg Journal-archive - Social Distance (a photo project) - BENJI – Manager at a pet retail store - 27 – they/them/theirs and she/her/hers Austin, TX “[Talking through screens] has actually been helpful for that anxiety of being near someone, especially someone who you don’t know very well, who you’re just meeting, someone you have a more professional relationship with, something like that. The screen breaks it down and makes it uniform, makes it universal. There are still some things you can only talk about with certain people, there are still conversational rules. But you don’t have to worry if you’re too close to someone, if you’re standing the right way, if you’re looking them in the eyes enough. I don’t have to worry about that anymore. But at the same time, I really miss that closeness of being with certain people. There are certain people that I just feel good about being around, that I feel more relaxed being around. My best friend is up in Chicago, and I miss being able to lounge on the couch with them, go visit them, go have dinner with them. I totally miss that. It’s not that I’m happy I don’t have to socially interact with anyone anymore. It’s that I miss my meaningful social interactions that made the other ones bearable. [Talking through screens] has its benefits and it has its major hiccups. It’s nice but it’s definitely not the same.” https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596119561311-13H2WY2YVFJ6IHM52SFY/ANDREA.jpg Journal-archive - Social Distance (a photo project) - ANDREA – Mask maker, yarn artist – 27 – she/her/hers Denver, CO “The masks I make are all one of a kind. I love to match, but in high school, I hated when – I’m from a small town, and we’d all end up wearing the same thing. There’s only one JCPenney’s. So they’re all one of a kind and they’re made from fabric in my personal collection. It’s been therapeutic, letting go of some of these materials that I’ve held onto for years. They all have a filter pocket, and they’re reversible as well. I’ve been letting everyone pick theirs out so it’s been a lot of talking to people. I’ve just been selling them through my Instagram. I’ve made over 200. And so I haven’t been doing other art – it’s the longest I’ve gone without playing with yarn for years. And I’ve been donating lots of masks too. My grandpa helps a lot of his older friends down in Florida, and I’ve been sending a lot of my masks down to him, and then just some to people walking by. And then I have a good pile to give to some organizations here. People have been very supportive. I don’t normally sell much art, so I think it was a chance for my friends to buy something from me, which has been really wonderful. There’s a lot of strangers too, who have been really cool to meet. People have just been extremely grateful. It’s really strange because it’s turned into a job for me as well. I’ve been able to feel more financially stable doing this too. It’s a win-win.” https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596166445607-UTJL7PGGXC4ZL2BHS322/CARLA.jpg Journal-archive - Social Distance (a photo project) - CARLA – Student, writer, photographer – 20 Paris, France “In general, here people don’t really smile at each other on the street. I guess you would think that during a time like this they might be more likely to do so. But they’re not. But I still smile at people, and sometimes I say hi, if someone seems like they’d say hi back. I guess that’s just how it is.” https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1596059403196-Y7EEO1XSQYTYDAPTPVGR/bio+image.jpg Journal-archive - Social Distance (a photo project) https://www.engagingcollections.com/journal-archive/a-comic-book-guide-to-archives-for-artists-and-makers monthly 0.5 2020-08-03 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595626949780-MW3NALWUYEB9XW2KCAJO/image-asset.jpeg Journal-archive - A Comic Book Guide to Archives for Artists and Makers https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1595626976257-G45Q4D18UAMHRYGOZ2JC/image-asset.jpeg Journal-archive - A Comic Book Guide to Archives for Artists and Makers https://www.engagingcollections.com/journal-archive/yinka-shonibare-the-american-library monthly 0.5 2020-07-14 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1579753374171-FM7Z3WD06MEVJUIVOIEH/IMG_5041lydiasee-YinkaShonibare-TheAmericanLibrary.jpg Journal-archive - Art: Yinka Shonibare - The American Library Yinka Shonibare The American Library image by lydia see from “When Home Won’t Let You Stay” at the Institute of Contemporary Art, Boston https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1594271989422-NROKYYVJA70NPZ5B2XJQ/IMG_5039lydiasee-YinkaShonibare-TheAmericanLibrary.jpg Journal-archive - Art: Yinka Shonibare - The American Library Yinka Shonibare The American Library image by lydia see from “When Home Won’t Let You Stay” at the Institute of Contemporary Art, Boston https://www.engagingcollections.com/journal-archive/asheville-black-history-matters monthly 0.5 2020-07-14 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1589750275065-V41WAHY2MZ7YONCZWNZ8/black-history-matters-by-jason-krekel.jpg Journal-archive - Art: Jason Krekel's "Asheville Black History Matters" “Asheville Black History Matters” by Jason Krekel https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1589754156417-0WGXS3CKWJ8LYRC10YWT/image-asset.jpeg Journal-archive - Art: Jason Krekel's "Asheville Black History Matters" image by Jason Krekel in process carving and printing his massive linoleum plate. https://www.engagingcollections.com/journal-archive/jaki-shelton-green monthly 0.5 2020-07-10 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1589566912189-XW9X4B26L0JTZC8ICOW3/20191218_JW_INDY_19People_JakiSheltonGreen-IMG_0846.jpg Journal-archive - Art: Poet Jaki Shelton Green Jaki Shelton Green (Above). Image courtesy of INDY Week. https://www.engagingcollections.com/journal-archive/processprogress monthly 0.5 2021-06-08 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1589172255015-6UR9BG4ZVWTDWG3TD4OC/IMG_0449.jpg Journal-archive - AiR Honey Simone: Process & Progress This collection of digital scans includes two or three scrapbooks (they had deteriorated) created by Annette Pearson Cotton, Cliff’s mother, as well as a number of individual photographs. The bulk of the material dates to between 1930 and 1960. ID: MS403.001A Folder Title: Clifford W. Cotton Source: North Carolina Room Video Interview with Clifford Cotton https://www.engagingcollections.com/journal-archive/fisk-maps monthly 0.5 2020-07-31 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1586480914567-HUG6ZPBYK7NUDLLUXELO/sm_fisk06.jpg Journal-archive - Collection: Harold Fisk’s Maps of the Mississippi River https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1586486179757-6TW8RMG6R7EQSC2VNB78/sm_fisk14.jpg Journal-archive - Collection: Harold Fisk’s Maps of the Mississippi River Image source or caption https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1588603536659-N1UG0ZGWDVNY0LRSDWBP/fiskall_sm.png Journal-archive - Collection: Harold Fisk’s Maps of the Mississippi River Here is the entire series together (click for a large version) https://www.engagingcollections.com/journal-archive/blackart monthly 0.5 2021-04-20 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1588049567228-UP6DSAU4U5O2DBX8BVW5/DSCF7996.JPG Journal-archive - AiR Honey Simone: (Black)Art Behind the scene shot of an upcoming film for Different Wrld. Different Wrld is my living example of creating my own destiny through art. Film Director: Spencer Kelly Art DIrector: Honey Simone Movement: Kevin Ruiz Photo: Amba Guerguerian https://www.engagingcollections.com/journal-archive/freedom-road-sites monthly 0.5 2020-07-31 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1587604548342-SYTU2QH6RS7HC6Y7RF36/2019-11-17.jpg Journal-archive - NC Freedom Road Sites Mendenhall Plantation in present-day Jamestown, NC. Image courtesy of Google Maps' user-generated content by Dave Y. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1587604590563-ZG60CHN7VUH3V6MP1V80/D63941ED-C685-0B37-52F9C78B06E791BB.jpg Journal-archive - NC Freedom Road Sites Freedmen’s Schools photographed c. 1864. Image courtesy of the National Park Service. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1587604716132-9VR75L5MVG1KVNQ7YXK5/image-asset.jpeg Journal-archive - NC Freedom Road Sites First “Freedmen’s Village” on Hilton Head Island c. 1864. Image courtesy of the National Park Service. https://www.engagingcollections.com/journal-archive/be-prepared monthly 0.5 2020-07-31 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1587603985196-LSCEX7VCQSWR97GYV8EQ/image-asset.jpeg Journal-archive - Be Prepared: (Emergency) Resources on Preservation, Conservation + Care Image courtesy of The US National Archives. https://www.engagingcollections.com/journal-archive/scrapmettle monthly 0.5 2020-08-17 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1587602176086-PLFOI0B6TN6FRF3445SR/SPG_1436.jpg Journal-archive - Revisiting Scrapmettle's living archive: 'Survival Stories' On-stage documentation of Survival Stories. Images of play courtesy of Scrapmettle Entertainment and The Shaw Photography Group. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1587602487428-S5NDEO9S66MUHVWCERFK/image-asset.jpeg Journal-archive - Revisiting Scrapmettle's living archive: 'Survival Stories' https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1587602546003-8RGT2NWFGN7AO7UG3RLX/SPG_1449.jpg Journal-archive - Revisiting Scrapmettle's living archive: 'Survival Stories' ABOVE: On-stage documentation. Images of play courtesy of Scrapmettle Entertainment and The Shaw Photography Group. https://www.engagingcollections.com/journal-archive/decolonization-of-archive monthly 0.5 2020-07-10 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1587594360271-A98GVMFYZ4VFQFBV22JG/Screen+Shot+2020-04-22+at+6.24.36+PM.png Journal-archive - Terremoto's "First Notes for a Proposal for the Decolonization of the Archive" Archivos Fuera de Lugar publication image courtesy of t-e-e.org. https://www.engagingcollections.com/journal-archive/chris-watts monthly 0.5 2020-07-10 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1587597507911-WW38XE8NK5QVCOUL0PRH/53561702_307590779936056_146762550318865773_n%281%29.jpg Journal-archive - Art: Jessica Moss talks curating Chris Watts’ “Blahk on Blahk on Blak” on HappeningsCLT Image courtesy of Chris Watts. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1587597304554-1UYR3T7AVG8JAZNASB4G/moss_watts1.jpg Journal-archive - Art: Jessica Moss talks curating Chris Watts’ “Blahk on Blahk on Blak” on HappeningsCLT ABOVE: Chris Watts (left) & Jessica Gaynelle Moss (right) with Watts’s work. Image courtesy of Happenings CLT. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1587597385110-OZSGUAVJ3NRRVBLYLGK2/The-Messenger_Interlude_web_792.jpg Journal-archive - Art: Jessica Moss talks curating Chris Watts’ “Blahk on Blahk on Blak” on HappeningsCLT ABOVE: The Messenger (Interlude) 2017. Acrylic, found wood, silk. 38 x 38 in, 96.52 x 96.52 cm. Image courtesy of Chris Watts. https://www.engagingcollections.com/journal-archive/you-dont-know-me-neither-do-i monthly 0.5 2020-07-31 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1587062370244-3TI289MTC9Y3D7SEYTHH/IMG_0242.JPG Journal-archive - AiR Honey Simone: You Don't Know Me & Neither Do I https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1587080505099-N0CBZCKNWS258WFX8P8Y/IMG_0253.JPG Journal-archive - AiR Honey Simone: You Don't Know Me & Neither Do I Image source or caption https://www.engagingcollections.com/journal-archive/what-are-archives monthly 0.5 2020-07-10 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1585335226592-L4JY2YJM11FLM0L6GA09/image-asset.jpeg Journal-archive - Resource: archives, Archives, or archives? Image source or caption https://www.engagingcollections.com/journal-archive/notes-from-metropolis monthly 0.5 2020-08-17 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1586769826777-TK3ESXLM5GY5JJIBCJ6S/christopherlineberry-metropolis5.png Journal-archive - Art: Christopher Lineberry's 'Notes from Metropolis' https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1586769576291-98QI5TSL299T8BEIF98A/christopherlineberry-metropolis1.png Journal-archive - Art: Christopher Lineberry's 'Notes from Metropolis' Image source or caption https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1586769630713-3G6VQVQ401IW563A28GY/image-asset.png Journal-archive - Art: Christopher Lineberry's 'Notes from Metropolis' https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1586769717615-MJTVQWNDSF322CAN7UBQ/christopherlineberry-metropolis3.png Journal-archive - Art: Christopher Lineberry's 'Notes from Metropolis' https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1586769787426-0ZNUH2X7G1QCLQ8A10SQ/image-asset.png Journal-archive - Art: Christopher Lineberry's 'Notes from Metropolis' https://www.engagingcollections.com/journal-archive/virtual-tours-and-archives monthly 0.5 2020-07-31 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1586650431902-WNE6WMZMDG95LXW11GFR/MarshaPJohnson-NMAAHC-TA2019_38_1_1_1_3_002.jpg Journal-archive - Resource: Virtual Tours and Archives Image courtesy National Museum of African American History + Culture https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1586651958599-SM62GZ1MPVWT4I0GOV87/DeloresHuerta.png Journal-archive - Resource: Virtual Tours and Archives Delores Huerta courtesy of The National Women’s History Museum https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1586652312609-80YA5Y8QJE8AO24CKXAE/museumofflight-Matterport_747Cockpit%281%29.jpg Journal-archive - Resource: Virtual Tours and Archives Image courtesy of The Museum of Flight https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1586652375507-IYO91F8YHCM8OX4Y9R96/QinShiEmperorsMausoleunMuseum.jpg Journal-archive - Resource: Virtual Tours and Archives Image Courtesy of Qin Shi Emperor's Mausoleum Museum and baike.baidu.com https://www.engagingcollections.com/journal-archive/aesthetic-attributes monthly 0.5 2020-07-10 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1585686289036-WLEK31HQ5TH9B2XSQRJ6/resource-photo-by-lydia-see.jpg Journal-archive - Resource: Aesthetic Perspectives https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1585671065096-YDQKUQ4I4LCAZA0HWEQY/aesthetic+attributes.png Journal-archive - Resource: Aesthetic Perspectives Page from “Aesthetic Perspectives: Attributes of Excellence in Arts for Change” https://www.engagingcollections.com/journal-archive/art-and-access monthly 0.5 2020-08-17 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1586144367771-7WSM1NGPZ0ZSH07ABRYD/Tate-MakingOralHistories.jpg Journal-archive - Art: Archives & Access Films Video still from “Making Oral Histories” from Tate’s Archives & Access films. https://www.engagingcollections.com/journal-archive/art-furen-dai-how-race-was-made monthly 0.5 2020-07-31 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1586143084640-LYXXQFJGCMEHDUEURG22/FurenDai-Force_Majeure_Installation_18.jpg Journal-archive - Art: Furen Dai, How Race Was Made? Furen Dai - How Race Was Made? in ‘Force Majeure’ https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1586143258828-BBT01FB9NYF7LKQVN5BB/FurenDai-Force_Majeure_Installation_12.jpg Journal-archive - Art: Furen Dai, How Race Was Made? Furen Dai - How Race Was Made? (detail) https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1586143322394-BND6ZBOVB901V5IN486G/furendai-detail.jpeg Journal-archive - Art: Furen Dai, How Race Was Made? Furen Dai - How Race Was Made? (detail) https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1586143364471-J6Z7HMW2P2DWL7NHTRE2/FurenDai-installationview.jpg Journal-archive - Art: Furen Dai, How Race Was Made? Furen Dai - How Race Was Made? (installation view) https://www.engagingcollections.com/journal-archive/resource-whats-an-archives monthly 0.5 2020-07-31 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1585449961791-ATPYZVN5D0508L6T0O7K/072919_0431_lydiasee+copy.jpg Journal-archive - Resource: What's an archives? photo by lydia see https://www.engagingcollections.com/journal-archive/avery-research monthly 0.5 2020-07-31 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1585950214908-91PHQTUW3N6Y0HR0ONIH/Screen+Shot+2020-04-03+at+5.42.56+PM.png Journal-archive - Resource: Avery Research Center https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1585950131275-R4UNTAD5WFUVP4UIC0UY/Screen+Shot+2020-04-03+at+5.41.23+PM.png Journal-archive - Resource: Avery Research Center Image source or caption https://www.engagingcollections.com/journal-archive/blog-template-p8ckw monthly 0.5 2020-08-14 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1585976947706-47GFZ96KZA47ICPMWNZO/AnnaEverettletter-theNewberry.jpg Journal-archive - Opportunity: How to Help Librarians and Archivists From Your Living Room The Newberry wants help deciphering 140-year-old letters such as this one, written by a teacher named Anna Everett, who settled in her family’s home in Remsen, New York. THE NEWBERRY https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1585977035374-RN8IVQ8LO0FG4SK5BS9S/MadamCJWalker-BluesyDaye-PublicDomain.jpg Journal-archive - Opportunity: How to Help Librarians and Archivists From Your Living Room Madam C. J. Walker was a entrepreneur and activist. BLUESY DAYE/PUBLIC DOMAIN https://www.engagingcollections.com/journal-archive/collection-nc-history-museum-quilts monthly 0.5 2020-07-10 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1585502807788-C7MCNGOMXF67SZNJGX9A/IMG_6234.jpg Journal-archive - Collection: NC History Museum Quilts Log Cabin, 1875-1905 Probably Margaret Smith ca. 1830s-ca.1905 Gaston County Cottons, Wools Who was Margaret Smith? The quilt’s donor, a white woman, remembered Smith as an African American domestic servant who worked for her mother’s family and made this quilt as a gift. But documentary research reveals a more complicated web of interconnected relationships and prompts more questions than it answers. Has Smith and her husband been enslaved by the donor’s ancestors? Where did Margaret live? Who was her family? At Every Turn, African American lives prove difficult to document during eras of slavery and Jim Crow. Written sources frequently limit us to white perspectives. Margaret Smith speaks to us through her quilt, however - a creation that exemplifies beauty, value, and skill. https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1585501208061-XTJTSZRDI110JCARRK0V/IMG_6263.jpg Journal-archive - Collection: NC History Museum Quilts Six-Pointed Star, 1848 Mary Blount Grimes (Cowper), 1832-1917 Pitt County Silks Mary Blount Grimes grew up in one of eastern North Carolina’s wealthiest families on a plantation where her father enslaved nearly 140 people. In 1848, she embarked on a unique commemorative project. She collected silk neckties from her many suitors and combined them with dress fabric from her gowns and perhaps those of her friends. More than 50 different silks grace the quilt top. What did Mary mean to communicate through her creation? Her extensive social networks? Her active courtship calendar? Did the expensive fabrics represent her hold on - and thus power over - wealthy men?” https://www.engagingcollections.com/journal-archive/resource-nc-library-directory monthly 0.5 2020-04-01 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1585450280507-4I8B48R62O97BU7V8Y5F/022520_0012lydiasee-engagingcollections.jpg Journal-archive - Resource: NC Library Directory https://www.engagingcollections.com/journal-archive/art-public-art-archive monthly 0.5 2020-08-03 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1582755831278-UJBPLHZONCOD2T34Y8O6/Public-Art-Archive.jpg Journal-archive - Art: Public Art Archive https://www.engagingcollections.com/journal-archive/online-catalog-museum-of-the-cherokee-indian monthly 0.5 2020-07-10 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1582247045605-EQ6CO78RGBLI2SOVNQHT/Cherokee+Pottery Journal-archive - Collection: the Museum of the Cherokee Indian https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1582246994278-PFQU1ITGETV078PLFL7W/Cherokee+Artifacts Journal-archive - Collection: the Museum of the Cherokee Indian https://www.engagingcollections.com/journal-archive/opportunity-african-american-collecting-initiative-internship-funded-by-the-henry-luce-foundation monthly 0.5 2020-07-10 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1582590625219-GJIAAX82HSB3KMJERJHH/people-interns-2019.jpg Journal-archive - Opportunity: African American Collecting Initiative Internship funded by the Henry Luce Foundation https://www.engagingcollections.com/journal-archive/opportunity-alternate-roots-artistic-assistance monthly 0.5 2020-08-16 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1581542167671-5GGEHHO1PCXARHACJEZ5/alternate+roots.jpg Journal-archive - Opportunity: Alternate ROOTS Artistic Assistance https://www.engagingcollections.com/journal-archive/resource-artmakingchange monthly 0.5 2020-08-03 https://images.squarespace-cdn.com/content/v1/5d23fc4db9f14e0001763c43/1585511504675-9NTKZIGPPPH7ESYU2KDH/PRACTICES_diagrams_PEOPLE_092517_cropped.gif Journal-archive - Resource: #artmakingchange (image from the “who” section of #artmakingchange - “Socially engaged artists do not act alone. Period. Even if a project is conceived and primarily executed by an artist, s/he is always working in a larger context and environment. 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