My experience navigating the world of digital collections… A few tips to navigating archives:
Start off with no assumptions
Documentation from The Edenic Zone, an immersive outdoor experience manifesting a portal of rest and beauty as imagined by Zona Baari in collaboration with Casa de Coco.
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One person would have a hard time trying to save the world, but they can offer a shift in vibration within the micro to positively affect the macro. My belief is there exists many realities on this planet and ultimately varying frequencies we may step in and out of.
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Bone – as what is beneath the surface of self. Exists in us all, and what’s behind the mask of skin. The great equalizer. A physical resemblance of our own undeniable truth and vulnerability.
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Through the process of collecting these pieces, I noticed myself tapping back into familial practices to take care of oneself. These acts were so deeply embedded into everyday life that I did not question it or even acknowledge it as a practice.
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With the understanding that channeling joy is a true act of vulnerability, we voluntarily give ourselves to the motion of falling. Equipped with protection, we learn how to fall so that we know how to collapse gracefully then rise again.
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La Limpieza, which translates to “cleaning” or “cleanse,” is one of three short films that exists under the project, How to Turn Poison Into a Meal. It consists of intimate moments between oneself and a shared space to witness each other's movements and sounds.
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How to Turn Poison Into a Meal is the name of my Fall/Winter 2020 collection. This project is a way for me to celebrate and remember, as well as using my body as an archive, creating documentation of my ancestors and their practices of reveling in joy and resilience from a heavy existence.
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… I intend to recreate.
To photograph and film familial practices that were neither documented nor celebrated, rather, shared through word of mouth and performed together habitually…
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As an educator who was radicalized by Black feminist and womanist literature, I have always been clear that that was my goal for SISTORIES--to provide the grounds for Black women and nonbinary femmes to adopt a politic to address the root cause of the social issues that cause them harm by seeing and writing themselves into the historical narrative of Black femmehood.
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Latinx customs, rituals and traditions have withstood countless transformations through their assimilation to the US and back, and the undocumented history of quinceañera practice–a journey I hold quite close to me–is still just one of the many deprived of proper accreditation.
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Developing strong, meaningful, relationships between artists and archivists has so much potential to be fruitful for both fields. Interestingly, both art and archives have been historically undervalued in academia: artistic practice as a vehicle only for expression or reflection of issues, requiring translation by a critic or art historian to make sense of its real value (4), and archivists as “handmaidens of historians,” seen as passive intermediaries between records and the historians who interpret them (5)
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Research is a solitary practice, but a research fellowship can be a tool for community-building, and the relationships between artists and archival materials can help upend and reshape our sense of history. Special Collections at the Providence Public Library (PPL) in Providence, Rhode Island offers an annual, 6-8 month Creative Fellowship for an artist to do intensive archival research and create new work, along with an interactive public program.
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From footage of hollering contests to oral histories of civil rights activists, Folkstreams.net is one of the most dynamic collections of independent films on the internet, containing over 100 documentaries, biopics, and performances available for free, alongside enrichment guides, transcripts, and an easily accessible list of rights information.
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”As my family migrated and many others from the Diaspora did too, the camera was a way to document this broken American Dream narrative, instead, we needed to create a counter-narrative of our people, because we are not seen as American.”
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...Voices in Collective Thought presents some of the events and popular reactions lived throughout the October 20th electoral fraud and current crisis in Bolivia. Last November, after a thirteen year long presidency and a scandalous attempt at fraud, Evo Morales stepped down from presidency.
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”Against the Best Possible Sources presents the latest chapter of my ongoing project involving extensive research of the TIME, Inc. corporate archive and an investigation of the earliest history of the first professional journalistic fact-checkers, a role created by TIME in 1923 and held exclusively by women until 1971.”
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“Social Distance (a photo project)” serves to reclaim the way we will talk about this “history-book” time. I am still actively working to broaden my scope of subjects, making sure that this project not only reflects my world as a young white person with access to financial support, but reflects the realities of those without that privilege and safety net as well. What will be the story we tell about this pandemic? How do we make sure it’s not remembered as ‘the great equalizer’, but rather, as something that is playing upon systematic inequalities that have existed for centuries?
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In 2017, the Providence Public Library published a comic book called Lizard Ramone in Hot Pursuit: A Guide to Archives for Artists and Makers. Written and illustrated by Jeremy Ferris, it forms the core of a simple toolkit for archivists.
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“I was inspired by lectures of Dr. Darin Waters of UNCA about “collective historical memory” and as a white Ashevillian felt like it could be a learning experience that I could pass on through this work and inspire others in my community to take a look at the rich history that is in danger of becoming forgotten as our town becomes more homogenized.”
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